LIGHTING DESIGNER
Jack has been designing professionally since graduating from The Guildhall School where he trained in Theatre Technology. Shortly before training, he was an intern for the London 2012 Paralympic Opening and Closing Ceremonies working with Patrick Woodroffe and Adam Bassett.
He frequently designs a broad range of work including; plays and musicals around the UK, on the London fringe, in the West End and UK tours.
Jack’s design for The Boys In The Band was nominated in the 2016 WhatsOnStage Awards and The Broadway World Awards for Best Lighting Design.
He is a Four time offie nominee and was short-listed in the 2016 OffWestEnd awards and in 2014, he was recipient of the ETC award.
| Production | Venue | Director | Date | Cinderella | Gaiety Theatre | - | Dec 2018 | The Wizard of Oz | Blackpool Opera House | Cressida Carré | Dec 2018 | The Funeral Director | Papatango Theatre Co. | Hannah Haeur-King | Oct 2018 | Maurice | Above The Stag | James Wilby | Sep 2018 | Blood Wedding | Clapham Omnibus | George Richmond-Scott | Sep 2018 | The Plague | Arcola Theatre | Neil Bartlett | Aug 2018 | Rain Man | Theatre Royal Windsor & UK Tour | Johnathan O'Boyle | Aug 2018 | Dust | Trafalgar Studios | Sara Joyce | Aug 2018 | Grindr The Opera | Above The Stag | Andrew Beckett | Jul 2018 | West Side Story | Bishopsgate Institute | Toby Hine | June 2018 | Crazy For You | Trinity College | Sarah Readmond | Jun 2018 | Beautiful Thing | Above The Stag | Steven Dexter | Apr 2018 | Little Women | Chichester University | Graham Hubbard | Apr 2018 | WhatsOnStage Awards | Prince of Wales Theatre | Simon Russel Beale | Feb 2018 | Pippin | Tring Park School | Steven Dexter | Feb 2018 | Rothschild & Sons | The Park Theatre | Jeffrey B Moss | Feb 2018 | Hanna | The Arcola | George Turvey | Jan 2018 | Georges Marvellous Medicine | Leicester Curve & Tour | Julia Thomas | Dec 2017 | Pyar Actually | Watford Palace | Pravesh Kumar | Sep 2017 | Holding The Man | Above The Stag | Gene David Kirk | Sep 2017 | Talk Radio | Old Red Lion | Sean Turner | Aug 2017 | Salad Days | Union Theatre | Bryan Hodgeson | Aug 2017 | Summer In London | Theatre Royal Stratford | Rikki Beadle-Blair | Jul 2017 | Judy! | Arts Theatre, West End | Ray Rackham | May 2017 | Betty Blue Eyes | Chichester Uni | Sarah Redmond | May 2017 | Assata Taught Me | The Gate Theatre | Lynette Linton | April 2017 | Cat! (ThePlay) | The Ambassadors Theatre | Stephen Whitson | April 2017 | Out Of Order | UK Tour | Ray Cooney | March 2017 | Pray For You | The Finborough Theatre | Jake Smith | March 2017 | La Ronde | The Bunker Theatre | Max Gill | Feb 2017 | The Boys In The Band | The Vaudeville Theatre | Adam Penford | Feb 2017 | Cinderella | Chiswick House Gardens | Mary Monro | Dec 2016 | Confessional | Southwark Playhouse | Jack Silver | Oct 2016 | The Boys In The Band | Park Theatre & Tour | Adam Penford | Feb 2017 | Through The Mill | Southwark Playhouse | Ray Rackham | July 2016 | No Villain | Trafalgar Studios | Sean Turner | June 2016 | Little Voice | The Union Theatre | Alastair Knights | May 2016 | The Life | Chichester University | Ian Summers | May 2016 | A Little Night Music | Chichester University | Sarah Redmond | May 2016 | Princess Caraboo | The Finborough Theatre | Phil Willmott | March 2016 |
|---|---|---|---|
| Bad Girls | The Union Theatre | Will Keith | March 2016 |
| Four Play | Theatre503 | Jonathan O'Boyle | February 2016 | Road Show | The Union Theatre | Phil Willmott | February 2016 |
| Fear & Misery | The Union Theatre | Phil Willmott | January 2016 |
| African Gothic | The Park Theatre | Roger Mortimer | December 2015 |
| Stitching | The White Bear Theatre | Pip Minnithorpe | September 2015 |
| The Sum of Us | Above The Stag | Gene David Kirk | September 2015 |
| My Children! My Africa! | Trafalgar Studios & Tristan Bates Theatre | Roger Mortimer & Debroah Edgington | August 2015 |
| The Spitfire Grill | The Union Theatre | Alastair Knights | July 2015 |
| All Male Pirates of Penzance | UK Tour | Sasha Regan | April 2015 |
| Princess Ida | The Finborough Theatre | Phill Wilmot | March 2015 |
| Muswell Hill | The Park Theatre | Roger Mortimer | February 2015 |
| The Boy's Upstairs | Above The Stag | Andrew Beckett | January 2015 |
| The Addams Family | Bird College | Luis Deabreu | December 2014 |
| Hamlet | Riverside Studios | Zoë Ford | May 2015 |
| Richard III | Upstairs at The Gatehouse | Zoë Ford | February 2014 |
| Titus Andronicus | The Arcola | Zoë Ford | October 2013 |
"West End style is provided by Jack Weir’s smart and very impressive lighting design. Nostalgia is embraced by moody lighting states which evoke the possibility of youth, the lustful pleasures of performance (on and off stage) and the twilight stages of a powerhouse career. Most impressive are Weir’s evocations of Palace Judy is performance, where the lighting truly takes you to another place, another theatre..."
LIVE THEATRE UK
Jack Weir’s lighting manages a peripheral dimension partly off – red and green lights menace, and lights tables in a ghostly gleam.
FRINGE REVIEW
lighting (design by Jack Weir) brings forth the power and poetry of the original novel which is still so relevant today.
Theatre Full Stop
"West End style is provided by Jack Weir’s smart and very impressive lighting design. Nostalgia is embraced by moody lighting states which evoke the possibility of youth, the lustful pleasures of performance (on and off stage) and the twilight stages of a powerhouse career. Most impressive are Weir’s evocations of Palace Judy is performance, where the lighting truly takes you to another place, another theatre..."
LIVE THEATRE UK
Jack Weir’s lighting manages a peripheral dimension partly off – red and green lights menace, and lights tables in a ghostly gleam.
FRINGE REVIEW
lighting (design by Jack Weir) brings forth the power and poetry of the original novel which is still so relevant today.
Theatre Full Stop
"West End style is provided by Jack Weir’s smart and very impressive lighting design. Nostalgia is embraced by moody lighting states which evoke the possibility of youth, the lustful pleasures of performance (on and off stage) and the twilight stages of a powerhouse career. Most impressive are Weir’s evocations of Palace Judy is performance, where the lighting truly takes you to another place, another theatre..."
LIVE THEATRE UK
Jack Weir’s lighting manages a peripheral dimension partly off – red and green lights menace, and lights tables in a ghostly gleam.
FRINGE REVIEW
lighting (design by Jack Weir) brings forth the power and poetry of the original novel which is still so relevant today.
Theatre Full Stop
